Belltown Bookies Donate Books

February 11th, 2009
I’ve looked forward to the monthly meetings of BELLTOWN BOOK ARTISTS ever since the group’s inception over four years ago. We focus mostly on completed bookworks or ones in process for comments and/or assistance (but we also bring commercial books, dolls, collages and 2- and 3-d artwork to the meetings). Anyone who works with books and/or paper arts is welcome. Think about it – there are no official minutes, agendas or dues! Meetings start at 6:30 pm, on the fourth Tuesday of the month, at Uptown Espresso, 2504 4th Avenue (in Belltown). If you like books, craft & art, come and join us at the next meeting!
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Nan Robkin, Lynne Kelly, Sandra Kroupa, Lillian Dabne, Liz Sheets (back row, l-r), Diane Baker and Michael Jacobs (front row, l-r), pose with books donated to Special Collections at the University of Washington

Belltown Bookie Diane Baker suggested a while back that we donate handmade books to the University of Washington to honor head librarian Sandra Kroupa’s 40th anniversary in Special Collections. Among her many duties, Sandra teaches courses on the book in the Ph.D. program in Textual Studies and guest lectures in a variety of related classes. Click ‘Not Simply a Gathering: A Conversation with Sandra Kroupa, University of Washington Book Arts and Rare Books Curator’ by Alison Mandaville, for an engaging interview, and view photos of selected books from the collection.

To date, eight book artists responded to Diane’s request, and the photo above shows six of us when we presented our books to Sandra on February 2nd. The photos below were taken at the presentation, and the text describes each book. I will add additional photos (and text) as they are made available to me.

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Sandra and Artist Lillian Dabney with QUEEN BESS

Type of Binding Accordian style variation

Size 4″ w x 10″ h

Text and Illustrations Computer generated photographs, coupled with calligraphic lettering

Description I was inspired by the Black Heritage postage stamp of Bessie Coleman who was the FIRST African America pilot, and she happened to be female as well. The story of how she became a pilot through sheer audaciousness, passion and tenacity I thought should be presented to as many people as possible. When the theme of the 2004 Guild of Book Workers members exhibition was ‘flight’ I saw my opportunity and created this book for their juried exhibition. Surprisingly it was accepted and Bessie Coleman’s story traveled around the country in the exhibition for a year. My wish came true!

Lillian Dabne Comments During my preparation and layout process, I attended a WOMENS EQUALITY DAY for federal employees. The theme was FOLLOW YOUR DREAM, and the presentation was a historical representation of the life of Bessie Coleman. I wonder if the signs could have been more blatant. I felt a force guiding me to a task. Could that force have been Queen Bess herself? I surely think it was.

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Sandra and artist Liz Sheets with CLOWN ALLEY

Type of Binding Tunnel Book (illustrated) & case bound (text)

Size tunnel: 7 1/2″ w x 6 1/2″ h x 2″ d – text: 7″ w x 5 1/2″ h

Text and Illustrations Text: formatted in Photoshop & printed on an Epson cx4800. Tunnel book: original illustrations, ink, watercolor, & colored pencil. Scanned, & color corrected in Photoshop. Printed on Rives BFK, on an Epson cx4800.

Story The text is the story of a little boy who wins a ticket to the circus, and decides to go even though he’s afraid of clowns. When he enters the circus tent, he discovers his adventures at the circus are only beginning.

Artist Elizabeth Beronich Sheets Comments I made the tunnel book first, when I lived in Minnesota, and worked at the Guthrie Theatre. I took it to work and showed it to a few people, including Isabel Monk, an actress & children’s book author who worked there periodically. She suggested I write a story about the tunnel book. She said she wanted to know what happened inside Clown Alley. Well, so did I. So I started writing and the story took me. It wrote itself, & I went along for the ride.

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Sandra and artist Michael Jacobs with GALILEO - A TELESCOPIC VIEW

Type of Binding 4-section articulated telescope structure with easel, accordion-fold book, portfolio case and sleeve

Size 2 15/16” h x 2 7/8” w x 1/2” d when closed. Edition of 100.

Text computer generated

Story Biography and timeline on Galileo’s life, including his discovery in 1611 that the earth and planets revolve around the sun, his trial before the Inquisition, and his subsequent banishment for life to his villa in Arcetri, Italy.

Artist Michael Jacobs Comments I was a junior at a Catholic high school when I first learned about Galileo’s monumental discovery that the earth, was, in fact, not the center of the Universe, a claim first made by Plato and held unequivocably by the Catholic Church for 2000 years.

I remember being appalled that Galileo, a staunch Catholic and world-renowned scientist, was brought before the infamous Inquisition in 1633, convicted of heresy, and forced, under pain of torture and death, to recant his heliocentric theory.

I also remember the year 1992 (350 years after Galileo’s death) when Pope John Paul II, though admitting errors had been made in the case of Galileo, declared the case officially closed but did not admit that the Church was wrong to convict Galileo on a charge of heresy because of his belief that the earth rotates around the sun.

I felt compelled to tell this story, and chose to create ‘Galileo – A Telescopic View’ as a miniature book in an edition of 100.

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Sandra and Nan Robkin with SANDRA'S BOOK: WORDS TO LIVE BY

Type of Binding / Text Triangle book based on Cheryl Moote’s design in Books With Girth. I scanned the color pages from original direct-to-paper samples I had made, and clipped them via Corel Draw 12 into triangles, placing these on the basic book template. I made a collage for the back of the pages. I also made the text pages in the same way, but adding a text box to the triangles. Then the book, basically an origami puzzle book, was cut and folded, and the extra triangles and text pages were sewn in. The sewing is basically a 4-station long stitch.

Size 2.25″ x 2.25″ x .5″ when closed and tied

Story There is no story – just aphorisms I picked at random from a stash I keep for making text for book structures that would otherwise be blank….

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Sandra and artist Diane Baker with SLEEP FREEZE

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1coffeefilterclownbkshirleycox72Artist Shirley Cox

Title Coffee Filter Clown Book

Type of Binding Embroidery on spine, and gluing thin paper strips to hold coffee filters together

Size #4 triangular coffee filters, about 7″ across and 6″ from top to bottom.

Text and Illustrations Illustrations were created first with light pencil drawings of clowns on the coffee filters, then colored with colored pencil, and accented with fine point black Sharpie. Because the book was made into a “fan” construction, each illustration had to be drawn with half the clown image on one side of one filter, and the other half on the adjoining side of the next filter. The coffee filter paper, especially since it had been used once, was soft and very receptive to the colored pencil.

Story the book was inspired by my first visit to a Cirque du Soleil show, Corteo, and the clowns, acrobats and costumes in the show. I fit the clowns in odd postures into the triangular shapes of the coffee filters to suggest the contortions and actions of the clowns in the show. The fanning of the book expressed the skillful acrobatics and movement in the show.

Artist Shirley Cox Comments I wanted to use only recycled or found material, and to use supplies I had on hand without purchasing anything new. The coffee filters were used once to make coffee, so they had a nice warm color and were soft and receptive to the colored pencil. It was rewarding and fun to turn something that might have been thrown out into a fun book. The book opens up into a fan, which is fun. The coffee filter paper is fragile so the book may not last very long, which is OK.

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Artist Meredith Arnold donated the following three books:

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1. Title Butterfly Book

Type of Binding perfect bound/refillable binding

Size 4″ x 6″

Illustrations polymer clay image transfers (copier print transfer of butterfly and Meredith’s freehand transfer method used to create the rest of the book cover).

Story Blank book

Artist Meredith Arnold Comments refillable bound book developed by Meredith Arnold where book block can be entirely replaced and a new one snapped into the cover. This book was published in ‘Polymer Clay New Ways with New Materials’ by Georgia Sargeant, 2002, and is on the cover of that book.

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2. Title Collage Coptic Bound Book

Type of Binding single needle Coptic

Size 4″ x 6″

Illustrations paper cloth collage cover

Story blank book

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3. Title Miniature Polymer Book

Type of Binding perfect bound

Size 2″ x 3″

Illustration Meredith’s Freehand Transfer method to decorate the cover

Story blank book

Artist Meredith Arnold Comments Published in ‘Polymer Clay New Ways with New Materials’ by Georgia Sargeant, 2002.

One Shark + Headless Man = ?

February 3rd, 2009

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In the photo above, I’m holding an articulated great white shark made from 16 gauge galvanized wire with painted tin fins. The head and tail sections are hinged, and move freely back and forth to suggest a swimming motion.

In the photo below, I’m holding a jointed wooden man, sitting in a chair, with copper hands and painted tin feet, with his partially completed head in my right hand.

What do a big shark and a headless man have in common? Come back to my blog in a few weeks to view the whimsical interactive sculpture I will create from these odd components.

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A TISKET, A TASKET…

January 12th, 2009

Seattle is hosting a number of gallery exhibits featuring the art of basketry for the entire month of January. Judy and I visited the Pacini Lubel and Fountainhead Galleries on opening nights, and were treated to a visual feast, to say the least! The amazing objects in these outstanding displays are very impressive. The baskets and sculptural pieces are constructed from a huge variety of materials and range from a few inches to many feet in size.

The exhibits coincide with the Bellevue Arts Museum exhibit titled ‘Intertwined, Contemporary Baskets from the Sara and David Lieberman Collection’, which runs through March 22, 2009.

Here’s an excerpt from the BAM website about the Lieberman show:

Providing an international look at contemporary basket making and its current level of innovation and experimentation, Intertwined includes over 70 traditional and non-traditional baskets from the prestigious Sara and David Lieberman collection. Highly textural and boldly shaped, the works in this extensive exhibition utilize a range of materials and techniques from traditional organic to commercial, and often surprising media like fish skins, porcupine quills and grocery bags. Represented artists include the well-known international to the regional, and works range from functional containers to closed, sculptural forms.

The following galleries are exhibiting baskets in January:

Fountainhead Gallery, 625 W McGraw St, Seattle WA 98119
Phone: 206.285.4467
Masters of Contemporary Basketry
January 8 – February 1, 2009

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DUO • ©2008 Lindsay Ketterer Gates • Stainless steel mesh, pistachio shells, anti-tarnish silver wire, beads

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SECRETS • ©2008 Nancy Koenigsberg • Coated copper wire, shredded paper

Pacini Lubel Gallery, 207 2nd Avenue South, Seattle, WA 98104
Phone: 206.326.5555
Contemporary Basketry – Redefining Sculpture
January 8 – January 31, 2009

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ACROSS THE SKY • © Charissa Brock • Black bamboo, waxed Linen thread, fused glass, steel

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CROSSING OVER • © Dona Anderson • Bamboo, pattern paper, thread • Photo Credit: Richard Nickel

Arts Council Gallery, 1507 Wall Street, Everett, WA
Phone: 425-257-8380
Containers, Containment and Contents
January 9 – February 12, 2009

MUSEO, 215 First Street, Langley, WA 98260
360.221.7737
Baskets…an Evolution
Jan 3-Feb 2

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CHICKEN FOOT SKIN POT • © Allen Moe • ceramic/mixed media

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ARTIFACT HYBRID II • © Danielle Bodine • Mixed media

If you live in the Pacific Northwest, check out Northwest Basket Weavers, an organization promoting ‘the art and tradition of basketry’ with classes, a monthly newsletter and annual events, since 1982.

Hang Time

January 8th, 2009
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©2009 HANG TIME - interactive wire sculpture, 8.25'' h x 11.75'' w x 5'' d • wire, wood, acrylic paints and mediums, beads.

HANG TIME is the title of my newest interactive sculpture. Trapeze Man swings from side to side when you turn the crank at bottom right, and you control the action by how fast you turn the crank. Trapeze Man can swing in a gentle, relaxed motion and achieve an almost meditative state, or he can swing quite vigorously and get a good physical workout (and in the process you can exercise your hands and wrists and keep them limber, too!).

HANG TIME is for sale in our online store – click here for details.

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©2009 HANG TIME - Here I am operating Hang Time for the first time and having quite a time

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©2009 HANG TIME - Cranking mechanism is attached to back side and hidden from view

Telescope Book Class in February

January 3rd, 2009

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My ‘Telescope Book’ Class is the first in a series titled ‘Books that Pop, Move, and Go BOOM!’, offered by Seattle Center for Book Arts (SCBA). The three classes, including Flag Book with Karen Vance Chickadeleach and Jacob’s Ladder with Chandler O’Leary, take place on consecutive Sunday evenings from 4-7 pm, starting with my class on Feb 22 (Click here then click on Yvonne Jenks & Evelyn Finley to read what two artists say about their Telescope Books).

Click SCBA for information on all three classes in the ‘Books that Pop, Move, and Go BOOM!’ series, instructor bios, registration details, additional classes, resources and more.

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